A Glass of Scotch at the Balmoral Hotel in Edinburgh

Before we even arrived in Scotland I had made it clear that I wanted to get a glass of scotch at the whisky bar in the Balmoral Hotel in Edinburgh. It just seemed like an iconic thing to do. If you're unfamiliar, the Balmoral has been a fixture along Princes Street in Scotland's capital since opening in 1902, and to this day is one of Edinburgh's most recognizable landmarks.

What I hadn't anticipated over our stay in Scotland, however, was just how much whisky / scotch I would end up sampling. By our final night, not only had I had my fair share of variety already, but I had collected a mini-bars worth of small bottles to bring back home. The reason this is noteworthy is because looking back at this now, I can't remember exactly what kind of scotch I ended up having on that final night when I finally sat down in the Balmoral bar. 

I know I wrote it down, but have yet to find where I hid the note.

Memory loss seems a fitting end when making a point of sampling a lot of scotch in Scotland, I suppose. What I do remember is that the whisky I chose was aged 18 years, the Balmoral itself was incredibly beautiful, and the drink I had was by far the most expensive pour of all the variations I tried that trip. I may not remember the brand, but there's no denying I felt like a king in the castle that night in Edinburgh, Scotland.  

French Crown Jewels in the Galerie d'Apollon

The French Crown Jewels displayed in the Galerie d’Apollon at the Louvre Museum in Paris are among the most dazzling reminders of France’s royal past. They glitter beneath gilded ceilings once meant to glorify kings, yet today they belong to the people - symbols of artistry, power, and the sweeping drama of French history.

The Galerie d’Apollon itself feels like a jewel box. Built in the 17th century under the reign of Louis XIV, the Sun King, it was designed to embody divine light and royal grandeur. The architect Louis Le Vau began the work, while Charles Le Brun, the king’s chief painter, filled the vaulted ceiling and arches with mythological imagery celebrating Apollo, the god of the sun and the arts. 

Later, in the 19th century, Eugène Delacroix added the spectacular painting Apollo Slaying the Python, which crowns the gallery today. Every inch of the space glows with gold and colour, reflecting both sunlight and the radiance of the jewels within it. It is no wonder that this room, once a royal showcase, became the perfect home for France’s surviving Crown Jewels.

The story of these jewels begins with King François I in 1530, who declared that certain treasures should belong not to the monarch personally but to the French state. 

This decision established the tradition of the Crown Jewels of France, meant to represent the continuity of the monarchy. Over the centuries, kings and queens added to the collection: diamonds, pearls, emeralds, rubies, and sapphires gathered from across the world. These were not just ornaments - they were instruments of image and influence, worn at coronations, weddings, and state ceremonies to project wealth and divine right.

Among the most celebrated of these gems is the Regent Diamond, discovered in India and purchased for the French crown in 1717. Its 140 carats of flawless brilliance made it one of the most famous diamonds in the world. It has graced royal crowns, the hilt of Napoleon Bonaparte’s sword, and even the admiration of jewelers centuries later. 

Another storied stone, the Sancy Diamond, has a pale yellow hue and a mysterious past, having passed through the hands of European princes before joining the French royal treasury. The collection also includes the Côte de Bretagne, a striking red spinel carved into the form of a dragon, said to have once belonged to Anne of Brittany.

During the French Revolution, the jewels were seized as property of the nation. In 1792, thieves broke into the royal treasury and made off with much of the collection in a daring heist. Some of the treasures were later recovered, but others vanished into private collections, never to be seen again. Decades later, under the Third Republic, the government decided to auction off most of what remained. In 1887, the bulk of the jewels were sold to private buyers, in an effort to erase the last symbols of monarchy. It was a controversial move that many historians still regret.

Fortunately, a few of the most important pieces were saved for the nation. These survivors now sparkle in the Galerie d’Apollon, displayed in glass cases beneath the gilded vaults that once echoed with royal footsteps. The Regent Diamond still catches the light like a captive sun. The Sancy sits beside it, glowing softly under the glass. The Côte de Bretagne spinel gleams crimson, a relic of the Renaissance. Nearby, the emerald and sapphire parures of Empress Eugénie, wife of Napoleon III, showcase the elegance of 19th-century design.

To stand in the Galerie d’Apollon today is to feel the weight of centuries compressed into a single shimmering space. The jewels that once symbolized royal power now embody something larger - the artistry and enduring heritage of France. Their beauty, once meant to awe subjects and foreign courts, now belongs to everyone. Visitors move quietly through the gallery, faces lit by the reflections of diamonds and gold leaf, feeling the same mixture of wonder and reverence that once surrounded the kings and queens of France.

Spiritmuseum: Alcohol Samplers in Stockholm

When in Sweden how can you not take a moment to sample some of the most popular local beers and Absolut vodka varieties? A few images from our samplers at the Spiritmuseum in Stockholm.

Riding the London Eye Observation Ferris Wheel

The London Eye, also known as the Millennium Wheel, is one of the most iconic landmarks in the United Kingdom. Located on the South Bank of the River Thames, directly across from the Houses of Parliament and Big Ben, this massive observation wheel offers one of the best panoramic views of London. Standing at 135 meters (443 feet) tall, it was the world’s tallest Ferris wheel when it opened to the public in 2000.

Designed by architects David Marks and Julia Barfield, the London Eye quickly became a symbol of modern London. It was originally intended as a temporary attraction to celebrate the turn of the millennium, but its overwhelming popularity ensured that it became a permanent feature of the city’s skyline. Each of the 32 high-tech glass capsules can hold up to 25 passengers, offering a smooth 30-minute ride with breathtaking 360-degree views of London’s most famous landmarks, including St. Paul’s Cathedral, Buckingham Palace, and the Tower Bridge.

The experience is both relaxing and awe-inspiring, as the slow rotation of the wheel allows plenty of time for photos and sightseeing. On a clear day, visibility can reach as far as 40 kilometers. The Eye is especially popular at sunset.

Today, the London Eye has also become a focal point for national celebrations, such as New Year’s Eve fireworks, and attracts millions of visitors a year. Whether you're a first-time visitor or a local, the London Eye offers a unique perspective of the city and remains a must-visit attraction.