My Selected Videography

In an ongoing effort to make it easier and more enjoyable to see my projects from past and present, I've recently updated and revised my selected videography. This update included adding new edits, noting those that had already been uploaded but not credited, and most importantly, linking all the available titles directly to their individual YouTube pages. This now makes it easy to not only view my selected projects in chronological order, but also view them directly in new windows without having to navigate through old blog posts.

As this blog ages and I go through the natural ups and downs of wanting to maintain it, I'm reminded that through all this work, this is really the closest I've ever come to being able to glance at my entire film history in one place. With every post I can see that I'm projecting a little bit more of myself, diversifying, and generally just polishing and developing this growing portfolio.

I've tried my best to push myself in different directions specifically for the sake of this blog. This year alone saw several narratives, art shorts, experiments, old works, and future previews all debut here. Blog views are up 22% from this time last year, and video views are 10x higher. It's still small potatoes, but I'm continually impressed at what so little has helped me accomplish, and what essentially a bare bones blog has flourished into so far.

There's still so much to be done, but it's because of that that this seems so exciting. I'd like to think that I've balanced a professional attitude with the optimism of a first year film student by creating a base for myself that shows I'm serious about film as a career and also a real person who's experimenting and playing. Being contacted by festivals, attracting videography work, and 7 months of full-time corporate editing means I'm clicking into something. I haven't quite figured out the exact formula yet to break into narrative editing, but like I said, it's a work in progress.

Back from Vegas 2008

What a week! I'm tired and fighting off a cold, but it's probably because of how much fun I had and how much dirty money I had in my hands. In the end I think we did too much to mention, but this return trip to Vegas was brilliant. So much has changed. I was pretty casual with my video camera this time, but my new 2008 edit and the original 2005 edit of my Las Vegas highlights can be seen below. 

Sitting Bull (2003)

June 2003. I was home from university for the summer and thought it might be fun to make another attempt at a stop motion short. I dug out my supplies that had been boxed away since high school, and came up with another simple concept motivated entirely by my desire to use a western theme and the title Sitting Bull.

Obviously, the title is a literal play on a 'sitting' bull instead of on the Sioux leader.


What I've always enjoyed about animation is the ability to completely create your environment, characters, and scenes in a very specific and controlled way. It all sounds a bit compulsive, but when I was unable to execute my bigger ideas in live action, animation allowed a big departure on a small scale. Plus, it was always nice to present new characters that were completely original looking.

I've never thought of myself as much of an animator, largely because I become so eager to see the results that I don't take enough time to plot all my movements. Still, revisiting my old animations awakens a creative side of myself that I haven't considered in years. Just sprucing up these old videos has me thinking of new concepts and short animation ideas that I'd like to try.

In the meantime, enjoy this classic short from my earlier works.